8th December 2014

Intuitive Mind cover

 

Released this month via Cosy Nook Press Ltd is Nigel Brown’s first self-published book in many years – Intuitive Mind. A limited edition collection of drawings with an introduction by Nigel Brown, Intuitive Mind explores instinct, the heart, and spontaneity through a series of bold pen-on-paper drawings. Intuitive Mind was printed and bound in an edition of 150 in Dunedin. To request a copy for $25 (including postage), email us at contact@nigelbrown.co.nz

27th November 2014

27th November

I’m looking out my studio window in the wettest November. The objects on the sill are what I do to amuse myself when not painting. Somewhere we have our Sebastopol goose in hiding trying again with eggs. In the chook house on the earth floor part we have an Orpington hen sitting on eggs also. Grass is growing relentlessly. From the south the wind whips the sea.

17th September 2014

Museum of the Vernacular

5th September 2014

For Away and Towards, his May 2014 exhibition of selected works at Milford Galleries Dunedin, Nigel gave a floor talk on specific paintings within the show. This was filmed, and we’re happy to share it below.

31st August 2014

Sustainability Mural

A couple of months ago I completed a mural in one of our paddocks over looking a nearby bay that over the last ten years has been steadily eroding. Sue and I have opposed a sea wall along the coastline of Mullet Rd, and submitted numerously against it. The whole process was flawed and in the long term not viable because the surrounding cliffs will continue to collapse. The road will be threatened again in the near future. Even though the sea wall is going ahead we felt we managed some minor protection and stringent monitoring.

It was certainly an eye opener to the limitations of local coastal management and total disregard for coastal eco systems.

Sustainable 1

 

Sustainable 2

 

Sustainable

 

Sustainable 3

5th May 2014

Away & Towards image

This extensive exhibition runs from 10th May – 4th June 2014 at Milford Galleries Dunedin, with an opening on Friday 9th May 2014 at 5pm. Away and Towards spans paintings from 1978 to examples of the recent Provocation series. Featuring work selected by the artist and Milford Galleries director Stephen Higginson, Away and Towards includes important large works as well as smaller pieces. An extensive online catalogue is available through the Milford Galleries website.
Nigel wishes to thank Susan McLaughlin and all the staff at Milford Galleries for their effort and the support received.

28th February 2014

Waterfalls

 

Waterfalls is Nigel’s new exhibition at Wellington’s Solander Gallery. More information here.

– Nigel is currently guest artist of the Dancing Star Foundation. From their website: Dancing Star Foundation is honored to present its second Guest Artist, Nigel Brown. Nigel is one of New Zealand’s most important and provocative contemporary artists. His work reflects a deep and abiding passion for the environment that has stirred hearts and minds throughout the world. Click to head to the Dancing Star website, who have published a piece Nigel has written about his concerns, motivations and work. 

– Nigel’s new dealer gallery in Auckland is Artis Gallery

17th January 2014

Books Jan 14 (small)

Two Books and The Vernacular

Two books came my way lately as gifts from Sue.

The first was Mastering the Art of Soviet Cooking, a Memoir of Food and Longing by Anya von Bremzen, published by Doubleday. This book said it all in terms of identity and food. In this multi-ethnic saga of the collapse of the USSR, it is fascinating how food and the vernacular are intertwined. Food can be a distinctly local or a foreign influence creeping into societies. In Russia under Peter the Great and later Stalin, food and the State reached new levels of interconnection. The difference in food in the past between Moscow and Saint Petersburg with the later city coming to look to the West was marked. Under communism food was manipulated in complex, blatant and disastrous ways. Finally, difference is faced as the food writer and her mother, having emigrated, find massive change on their return to Putin’s celebrity-focused Moscow.

In effect this book gives you a passionate nostalgia, balanced by an eye for the conflict between unique local food and the vernacular versus the allure of the exotic that is now a worldwide phenomenon.

The second book I came to have was Coast, a New Zealand journey by Bruce Ansley and Jane Usher, published by Godwit. Strong photography, great compositions, romanticism, integrity on a level beyond the usual coffee table New Zealand variety, and a depth of searching into vernacular coastal mythology. It’s moody and rich and full of unique material. It’s also a fabrication in a way in terms of what is left out of changing Aotearoa but that’s okay. Identity almost appears timeless and impregnable.

Putting the two books side by side you may ponder the role of the state and global forces both in New Zealand and seemingly different Russia, but be appreciative of the individuals who treasure uniqueness, and record or write about it in dedicated ways – not just swept along in it all.